Berlioz and the romantic century by Jacques Barzun PDF

By Jacques Barzun

This 3rd variation back makes to be had to latest readers the vintage and complete examine of 1 of the main radical and influential composers.
Two quantity set with illustrations.

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Becoming a flautist had been her father's idea. He was a frustrated musician, and she had grown up doing his bidding, trying to please or at least appease him. But increas­ ingly she'd felt as though she were a mere instrument of his will; she wanted to do something other than music. How could music make any difference? How could one make music when the world was crying out to be fed and clothed and housed? We both forgot why we had come into the bookshop. Talking fervently about the woes of the world and the need to commit one's energies to changing things for the better, we left the little red books and communist manifestos behind us and walked up from the basement into the blinding light of the afternoon.

Lawrence, and that year, thanks to a recent gift of books to the Auckland University library by the Carnegie Foundation, I devoured American liter­ ature with a vengeance, and experimented with writing in the American grain. One week my role model was Edward Arlington Robinson, the next Wallace Stevens . . Yet we longed for a more immediate exemplar. Someone, as Stevens put it, "beyond us yet ourselves". We found him in Herman Gladwin. Herman was in his early fifties, and almost as old as the century.

If anyone called into question, or worse, agreed with what he was saying, he would become enraged . . He would sulk. To speak while he was speaking was to stand between him and his creation. He resented it as an intrusion. It was incongruous, obscene. " 40 As for Miller, the meeting with his hero was a mixed blessing. As soon as he and Cendrars had gone their separate ways, after nine or ten hours in each other's company, Miller sat down and wrote a long letter to Anals Nin. It was two in the morning.

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Berlioz and the romantic century by Jacques Barzun

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