Download e-book for iPad: American-Soviet Cultural Diplomacy: The Bolshoi Ballet's by Cadra Peterson McDaniel

By Cadra Peterson McDaniel

ISBN-10: 0739199307

ISBN-13: 9780739199305

American–Soviet Cultural international relations: The Bolshoi Ballet’s American Premiere is the 1st full-length exam of a Soviet cultural diplomatic attempt. Following the signing of an American-Soviet cultural trade contract within the overdue Fifties, Soviet officers resolved to make use of the Bolshoi Ballet’s deliberate 1959 American travel to awe audiences with Soviet choreographers’ nice accomplishments and Soviet performers’ significant talents. counting on broad learn, Cadra Peterson McDaniel examines no matter if the targets in the back of Soviet cultural alternate and the explicit goals of the Bolshoi Ballet’s 1959 American travel supplied facts of a thaw in American-Soviet kin. Interwoven all through this examine is an exam of the Soviets’ competing efforts to create ballets encapsulating Communist rules whereas at the same time reinterpreting pre-revolutionary ballets in order that those works have been ideologically appropriate.

McDaniel investigates the explanation at the back of the production of the Bolshoi’s repertoire and the Soviet leadership’s goals and interpretation of the tour’s good fortune in addition to American reaction to the travel. The repertoire integrated the 4 ballets,
Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and Highlights courses, which incorporated excerpts from quite a few pre- and post-revolutionary ballets, operas, and dance suites. How the americans and the Soviets understood the Bolshoi’s luck presents perception into how either side conceptualized the function of the humanities in society and in political transformation.

American–Soviet Cultural international relations: The Bolshoi Ballet’s American Premiere demonstrates the ballet’s position in Soviet overseas coverage, a shift to "artful warfare," and hence emphasizes the importance of learning cultural alternate as a key point of Soviet international coverage and analyzes the ongoing significance of the humanities in twenty-first century Russian politics.

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Extra resources for American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere

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8. Boris Groys, The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond, trans. Charles Rougle (Princeton: Princeton UP, 1992), 3. 9. Kristin Roth-Ey, Moscow Prime Time: How the Soviet Union Built the Media Empire that Lost the Cultural Cold War (Ithaca, Cornell UP, 2011), 11. 10. , 11. V. I. Lenin “Nabrosok rezoliutsii o proletarskoi culture,” v O Literature i Iskusstve (Moskva: Gosudarstvennoe Izdatelstvo Khudozhestvennoi Literatury, 1957), 395. Stanley D. W. ” In SovietMusic and Society under Lenin and Stalin, edited by Neil Edmunds.

62. ” In Diplomatic History, 27, no. 2 (April 2003): 193–214. Rósa Magnúsdóttir, “Chapter 2: Mission Impossible? Selling Soviet Socialism to Americans, 1955–1958” vol. 6. eds. Jessica C. E. Gienow-Hecht and Mark C. Donfried, in Explorations in Culture and International History Series, gen. ed. Jessica C. E. Gienow-Hecht (New York: Berghahn Books, 2010), 50–72. 64. Christina Ezrahi, Swans of the Kremlin: Ballet and Power in Soviet Russia, Pitt Series in Russian and East European Studies, ed. Jonathan Harris (Pittsburgh: University of Pittsburgh Press, 2012).

Following victory in World War II, Soviet officials revived the program and utilized it to advance blatant Soviet objectives. With the subsequent spread of Communism to Eastern Europe, the Soviet leaders seized the opportunity to develop cultural relations with Eastern Europe, the Near East, and Latin America. In particular, the Soviets stressed closer relations with Ideological Goodwill 5 the states of Eastern Europe and sought to imbue the Eastern Europeans with correct Communist ideology. 25 At the same time that Stalin promoted certain cultural exchange endeavors, he favored limited contact with the West.

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American-Soviet Cultural Diplomacy: The Bolshoi Ballet's American Premiere by Cadra Peterson McDaniel

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