Joan Dexter Blackmer's Acrobats of the Gods: Dance and Transformation (Studies in PDF

By Joan Dexter Blackmer

ISBN-10: 0585081824

ISBN-13: 9780585081823

ISBN-10: 0919123384

ISBN-13: 9780919123380

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Extra resources for Acrobats of the Gods: Dance and Transformation (Studies in Jungian Psychology By Jungian Analysts, 39)

Sample text

Consciously in touch with the earth, their movements communicate that earthen reality. Acrobats of the gods and goddesses, they bring Mary down to earth from the prison of her father's apartment. For the woman who is a modern dancer, the informing archetype is still the Kore, the Greek maiden goddess;18 no dancer wants to be fat or matronly. But she is a Kore born of Demeter, the Earth Goddessnot, as in classical ballet, born of the idealized image of woman in a masculine mind's eye. If many individual dancers turn to the rigors of dance training to heal some malaise within themselves, I think it can also be said that the emergence of the new form of dance is an expression of an im- 17 Quoted in Elizabeth Kendall, Where She Danced, p.

625. 3 Mircea Eliade, Shamanism: Archaic Techniques of Ecstasy, pp. 36-37. Page 43 Dancing spirit on shaman's drum. (Photo by Eberhard Otto) Page 44 studio to complete the process of the body's dismemberment and renewal. " It is this watching, this constantly focused attention, which enlarges consciousness and differentiates the training process from Dionysian possession. From the start, the development of a third eye, objectivity, is central to the process. This gradually leads to a separation of the doer from the doing, the ego from the body.

This gradually leads to a separation of the doer from the doing, the ego from the body. The teacher is of course the student's first experience of the observing eye. When body and ego are still identical, the observing function is projected outside, indeed can only come from there. It is the teacher who points out that one's belly is hanging out, the pelvis not correctly held, that the right knee turns in over the foot, or that one is using the left instead of the right arm in an exercise, and very probably the wrong muscle with which to lift it.

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Acrobats of the Gods: Dance and Transformation (Studies in Jungian Psychology By Jungian Analysts, 39) by Joan Dexter Blackmer

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